Home

Ableton (Move Teaser)
A street scene featuring a wall with graffiti and a series of black and white posters advertising a Ableton Move. A person is pasting the posters on the wall, surrounded by plants and urban decay elements.

2024

Order Matter (Website)
Screenshot from Order Matter website, showing the Archive section of the website, with an architectural project in Yongin, South Korea

2024

Morgado do Quintão (Open House)
Video thumbnail

2024

Southbank Centre (70 Years of the Poetry Library)
Two men installing large-scale vinyl type on the Southbank Centre's facade

2024

Order Matter (Business Cards)
Stack of white business cards with black type on aluminium surface

2024

Prestel (Oishii!)
Scan of Oishii! book cover by Japanese author Manami Okazaki

2024

V&A Dundee (Photo City)
Close up photograph of Photo City exhibition design, showing House of Bondage book on top of blue metal plinth

2024

Turner Contemporary (Beyond Form Exhibition)
Photograph of Beyond Form exhibition poster, rolled up on concrete floor, showing image of Lynda Benglis

2024

Turner Contemporary (Beyond Form Catalogue)
Close-up of a stack of Beyond Form catalogues with wrapping type detail on spine

2024

bigkid (Website)
Video thumbnail

2024

V&A (Brand Campaign)
Photograph of a mustard and yellow poster for the V&A brand campaign, with an image of some silk shoes

2024

Disclosure (Remix)
Screenshot from Disclosure's Remix Competition website, showing embroidered album cover Alchemy

2024

Debbie Meniru (Website)
Orange background with pale yellow graphic icon of a yam

2024

UAL (20:20)
Blurred image of an artwork

2024

Freddie Leyden (Website)
Video thumbnail

2023

Tom Shkolnik (The Women by the Lake)
A movie poster for “The Women by the Lake,” with abstract brushstrokes in different colours scattered across the design. The title is partially obscured, while the rest of the text includes names of the cast and crew in a modern serif font.

2023

Southbank Centre (Aladdin Sane: 50 Years)
Close-up photo of Aladdin Sane title treatment showing red lettering and shadow

2023

AB Collection (Folders)
Paper folders with black foil and blind de-boss details

2023

AB Collection (Poster)
A pink poster with multiple artwork thumbnails

2023

Chloé Nardin (Website)
Video thumbnail

2023

V&A (Membership)
Photograph of a stack of neon-yellow V&A membership packs with mosaic floor in background

2023

Hayward Gallery (Hiroshi Sugimoto)
Photograph of gallery showing text caption next to photographic works by Hiroshi Sugimoto

2023

Hayward Gallery (Dear Earth)
Installation view of Agnes Denes, Dear Earth Art and Hope in a Time of Crisis (21 Jun–3 Sep 2023). Photo Mark Blower. Courtesy the Hayward Gallery.

2023

V&A (Members Social)
Video thumbnail

2023

Ableton (Loop Sessions 22)
Video thumbnail

2022

V&A (Brand Campaign)
Two framed posters featuring black-and-white images on a neon yellow background, mounted on a brick wall. The posters are for a V&A brand campaign and feature the V&A logo in the bottom right corner.

2022

Ableton (Loop Create 22)
Video thumbnail

2022

Hayward Gallery (Strange Clay)
A gallery installation featuring tall, colourful ceramic sculptures resembling totem poles. The sculptures are placed on light-coloured mats, with a wall text introducing the exhibition “Strange Clay: Ceramics in Contemporary Art.”

2022

Hayward Gallery (In the Black Fantastic)
A large typographic art piece displayed in a modern concrete interior. The artwork features a long block of text, taken from Suzanne Césaire’s Tropiques (1941), describing the realm of the strange, marvellous, and fantastic. The backdrop includes concrete walls and railings in a gallery-like setting.

2022

Co Projects (Website)
Video thumbnail

2022

V&A (Beatrix Potter: Drawn to Nature)
Video thumbnail

2022

Prestel (Japan’s Best Friend)
A brightly coloured book cover featuring a glossy red plastic dog sculpture with blue eyes, set against a vivid blue background. The title reads “Japan’s Best Friend” in yellow text, with smaller text that reads “Dog Culture in the Land of the Rising Sun.” The book is published by Prestel.

2022

BOARC (Website)
A laptop screen, showing the homepage from Bidston Observatory: Artist Research Centre. The page features a cyanotype flower and gold tinted image of the centre.

2022

Co Projects (Co 001)
Cardboard box of Co Projects packaging

2022

Rio Cinema (Placard Project)
A close-up of a screen-printed graphic poster featuring halftone dots, abstract shapes, and neon green and brown design elements. The image combines organic and geometric forms with strong visual contrast.

2021

The Francis Crick Institute (A Drop of Hope)
A pair of bold, brightly coloured signs attached to the exterior of The Francis Crick Institute building, for their Drop of Hope exhibition. The pink sign reads “memories never made” in black text, while the orange sign is partially visible, attached to a cylindrical concrete pillar.

2021

Ableton (Loop Create 21)
Video thumbnail

2021

Hayward Gallery (Igshaan Adams)
A view of an exhibition entrance featuring a large, illuminated sign with the text “Igshaan Adams Kicking Dust”, from the Hayward Gallery. On the right, there is a wire-like sculpture casting shadows on the wall, creating a dynamic visual effect in the dimly lit space.

2021

Cabin Fever (Website)
Video thumbnail

2021

Gregory Caron (Website)
Video thumbnail

2021

Hamish Pearch (Website)
A screenshot from Hamish Pearch’s website, showing a photograph of a minimalist artwork composed of two conjoined ceramic cups filled with a black substance, each holding upright coloured matchsticks. The setup is on a light-coloured tiled floor with small metallic objects scattered around, providing a modern, industrial aesthetic.

2021

London College of Fashion (REAL:TIME)
An installation featuring an abstract gold letter applied to a glass panel. The letters “SMC” are printed on the graphic. In the background, there is a room with purple lighting, a brick wall, and a digital screen with text partially visible.

2021

Humanrace (SSENSE Installation)
Video thumbnail

2021

COS (AW21 Invite)
Video thumbnail

2021

Hayward Gallery (Among The Trees)
A Hayward Gallery exhibition ‘Among The Trees’ featuring two vertical tree-like sculptures on wooden bases. In the background, there is a large photograph of a dense forest scene. The surrounding space has modern, minimalist architecture with concrete walls and staircases.

2020

Fedrigoni (19vs19)
A photograph showing a person holding a large yellow art print featuring simple geometric shapes. The person stands in front of printing equipment in a studio, and the print has four rectangular blocks arranged in a grid.

2020

Lina Hakansson (Website)
Video thumbnail

2020

Self Initiated (Making Life Multiplanetary)
Video thumbnail

2020

Self Initiated (The Art of Japanese Joinery)
A series of five black-and-white photographs depicting detailed close-ups of traditional wooden Japanese architecture. The images showcase intricate joinery, beams, and structural elements, with one panel highlighting various types of joints in diagrammatic form.

2020

Prix Pictet (Confinement)
A screenshot from the Prix Pictet prize website, showing a landscape photograph by Chris Jordan of a serene lake with reflective water, surrounded by a distant mountain range under a clear blue sky.

2020

Ronchini Gallery (Katsumi Nakai Publication)
A minimalist design of a folded booklet with a bright red cover. The booklet features the name “Katsumi Nakai” in bold black text, partially revealed by the folded layers, with a sleek, clean aesthetic against a white background.

2019

Hayward Gallery (Kiss My Genders)
An exhibition wall displaying large brown typography that reads “Kiss My Genders”, and the Hayward Gallery. To the left is a portrait of a person with an elaborate hairstyle, and further along the wall are several framed artworks. The exhibition text explains the concept and themes around gender identity.

2019

Hayward Gallery (Kader Attia)
A gallery space featuring an artwork titled “Repaired Broken Mirror” from 2017, by Kader Attia. The mirror has been repaired with visible stitching along the fracture line, creating an abstract, minimalist piece. The surrounding gallery space includes other sculptures and artworks on shelves.

2019

Hayward Gallery (Bridget Riley)
A modern gallery interior featuring a spiral concrete staircase and a wall of op-art artworks by Bridget Riley. The ceiling has a grid pattern, and the artworks include abstract shapes and colourful patterns arranged in a neat grid.

2019

Hayward Gallery (Diane Arbus)
Installation photograph from Diane Arbus: In the Beginning exhibition at the Hayward Gallery, showing black bench with 5 black and white portraits mounted onto a white wall. A simple black bench is positioned centrally in the gallery space.

2019

Hayward Gallery (Space Shifters)
A modern exhibition display featuring a mirrored surface reflecting distorted views of the gallery space. The text on the wall reads “Space Shifters,” indicating the name of the exhibition, held at the Hayward Gallery. The surrounding space has a minimalist concrete design.

2018

Google Creative Lab (We Kissed The Screens)
A close-up of We Kiss The Screens book with its pages slightly curved, showing an orange-to-purple gradient on the spine and black text on a glossy page. The page features bold, white text: “The book of many perspectives. Created by you.”

2019

Barbican (My Modern House)
A playful sticker sheet inside My Modern House book featuring colourful geometric shapes, plants, trees, and small human figures engaging in activities like walking and cycling. The background is white, and the illustrations are arranged neatly across the page.

2018

LCC (Postgraduate Shows)
A typographic installation at LCC for their Postgraduate Shows, showing multiple sheets of paper hanging in the air, featuring large black letters in a sans-serif font.

2017

LCC (Degree Shows)
A collection of large, white banners printed with bold black letters and numbers, suspended from scaffolding with blue connectors for the LCC Degree Shows.

2017

Kaija Vogel (Play Is Work)
A close-up of a label sewn into a piece of grey fabric, featuring the text “Playwork by Kaija Vogel” with a playful geometric design. The label is attached near a red zipper, adding a touch of colour to the image.

2016

Tate Modern (Explore Spaces)
Closeup photograph of shelving display at the Tate Modern, showing various material elements, including sand, coins and feathers, in clear tubes

2016

Tate Modern (The Feasting Mouth)
A close-up of the Feasting Mouth exhibition guide from the Tate Modern, showing a vibrant red page unfurling from the inside of a black book, imitating a mouth and red tongue.

2014

Visual Editions (Tree of Codes)
A close-up view of an intricately designed book page from Tree of Codes, with multiple layers of cut-out text. The text is arranged in fragmented sentences, with some words peeking through different layers, creating a tactile and visual narrative.

2010

About

SOUP is a London-based design and creative development studio working across print, digital and spatial projects for a range of cultural and commercial clients.

Development

ordermatter.com
ooo.io
wildwuchs.ch
bigkid.tv
eric-af.com
freddieleyden.com
spreeeng.com
linahakansson.com
studiolowrie.com
debbiemeniru.com
chloenardin.com
rallyrallyrally.co.uk
itsfreezinginla.com
rosechoreographicschool.com
co-projects.xyz
odetoconstruction.com
bidstonobservatory.org
annagerber.com
hamishpearch.com

Press

It’s Nice That

The Brand Identity

Team

Nina Jua Klein
Simon Wilson
Latifa Powell

Studio

Unit C, First Floor
2A Barnabas Road
London E9 5SB

Contact

info@soup.work

Info

Eternal Soup Ltd

VAT No. 461 904 393

Company No. 14870853